VFX Supervisor and Creative Technologist
Award-winning artist and supervisor — Commercials, episodic, feature film, and immersive — expert at every stage of post production.
For nearly 30 years I've helped bring creative ideas to the screen. I work as a visual effects supervisor, leading teams and running shoots, and as a hands-on artist and technologist who builds the pipelines and tools and finds ways to pull off things that haven't been done before. I've delivered award-winning work for Netflix, Apple, ESPN, and Target, and I'm as comfortable in a post house as I am inside an in-house creative team.
Cheetos x Wednesday
Part of a global marketing campaign for Wednesday Season 2. Grand Clio winnerNetflix: Stranger Things Ident
A fully CG title ident created to mark the final season of "Stranger Things"ESPN: Women’s March Madness
A broadcast promo campaign using AI and machine-learning tools to relight and integrate footage into CG environments.Target: Everyday
A commercial built on seamless scene-to-scene transitions. Planned shot by shot across a 5-day shoot.Sphere: Macallan
A standard television commercial, re-engineered into 6K, 360° spherical content for the Sphere in Las Vegas.Supervision
VFX and 2D/3D supervision, on set and in the facility. Production and team management. Concept to final delivery.
AI in production
Applying AI and ML tools across multiple platforms, including ComfyUI workflow development.
Hands-on craft
Compositing, previs, animation, lighting, look dev and 2D /3D generalist work.
Color and finishing
Color science and management, conform, grade, and Client-facing finishing in Nuke.
Pipeline and tools
Custom pipelines, tools and integrations. From Python scripts to full Ayon deployment. Full-stack development.
Problem solving
Finding solutions to hard problems, and inventing new techniques when there's no established approach.
