A series of holiday spots for Honda built around a tiny, festive world living inside an advent calendar, combining miniatures, full-scale live action, and CGI in a single composite. I supervised the VFX on set across two weeks of shooting, running two Alexa cameras at opposite ends of the stage — one capturing the live action while I directed the miniature set on the other. Back at the studio, I supervised a team of about six artists creating CG props, set extensions, 3D projections, and particle effects.